Louis Armand's poetry collections include Vitus (2022), Descartes' Dog (2021), Monument (with John Kinsella, 2020), East Broadway Rundown (2015), The Rube Goldberg Variations (2015), Indirect Objects (2014), Synopticon (with John Kinsella, 2012), Letters from Ausland (2011), Picture Primitive (2006), Malice in Underland (2003), Strange Attractors (2003), Land Partition (2001), Inexorable Weather (2001) & Seances (1998). He is the author of the libretto A House for Hanne Darboven (2021) & novels including The Garden (2020), Glasshouse (2018), The Combinations (2016), Abacus (2015), Cairo (2014), Canicule (2013), Breakfast at Midnight (2012) & Clair Obscur (2011). His critical works include Videology (2015), The Organ-Grinder's Monkey: Culture after the Avantgarde (2013), Event States (2007), Literate Technologies (2006), Solicitations: Essays on Criticism & Culture (2005), Techne (1997), Incendiary Devices (1993). In 2009 he received honourable mention for original screenplay at the 2009 Trieste International Film Festival. He is formerly an editor of the international arts journal VLAK. www.louis-armand.com